
In villages and in small towns, they died in droves.
The s*******r came from neither virus nor from war.
They were treated as if they had never lived at all,
and were laid in the ground quietly, without a sound.
It was such a sorrowful sight
it saddened even their merciless killer.
Humankind never feared God this much.
Not even the questioning in the grave
is as cruel as the way they died,
nor that final command of a wrath-dealing God.
All the grief and all the pain that could be loosed
broke free of its chains;
its source was the one, the only true killer:
a ruthless origin, stirring in its grave.
On the back of Istanbul, there is a hill that speaks with the wind: Facility Hill.
By day it is science and protocol, white coats and sterile light.
By night, the same hill listens to a much older breath rising from deep beneath the earth.
In official records, Dr. Cem Aksoy is a brilliant physician:
a mind that silences diseases, slows down aging,
and stretches the human lifespan, inch by inch.
In unofficial records, he walks under another name: Nerkynatiochen.
He was seen in Messina just before the Black Death,
stood in the shadow of Nemrut as mass graves were opened,
and kept watch in a black cloak at the mouth of a sealed crypt near ancient Antioch.
Every age has remembered the same three traces:
Cities that die without a single scream.
Four scratches and a circle carved into stone.
And a figure running on four legs in the dark,
whose shadow still insists on being human.
Elif is a young researcher working in the lab on that hill.
All she ever wanted was to save a few more lives—
until, one night, she forces open the door of a locked folder: NARAM_CASES.
In a monk’s page dated 1347,
she finds a drawing that looks disturbingly like Cem’s face,
titled in a quiet hand: “Il medico Neron.”
From that moment, the pages begin to trade places:
medical papers blur into chronicles,
clinical notes read like prophecies,
statistics of death melt into stories whispered in the dark.
What seeps out between the lines is this:
a dark name, Naram, that latches onto any human
whose lifespan is pushed too far beyond its natural edge;
a werewolf-like “indicator creature” seen before disasters;
and an ancient vampire, said to frighten even the gods,
whose origin runs straight back to humanity itself.
Now the same pattern is being drawn, slowly, over Istanbul.
Beneath Facility Hill lies an old vein of graves.
Above it, a project races forward under the promise of “immortality.”
Caught in the very middle stands a young woman, Elif,
pinned between her heart and her science.
In this story, the werewolf is only the shadow of the catastrophe to come;
the vampire is an echo history never managed to bury.
The real question is:
Who is the true monster?
The entity that leaves the night without a single scream,
the doctor who has walked the centuries beside death—
or the human who, the moment he escapes dying,
dares to claim the right to rule all those who still can?

