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Carnival Lights

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In August 1969, two teenage Ojibwe cousins, Sher and Kris, leave their northern Minnesota reservation for the lights of Minneapolis. The girls arrive in the city with only $12, their grandfather's WWII pack, two stainless steel cups, some face makeup, gum, and a lighter. But it's the ancestral connections they are also carrying - to the land and trees, to their family and culture, to love and loss - that shapes their journey most. As they search for work, they cross paths with a gay Jewish boy, homeless white and Indian women, and men on the prowl for runaways. Making their way to the Minnesota State Fair, the Indian girls try to escape a fate set in motion centuries earlier. Set in a summer of hippie Vietnam War protests and the moon landing, Carnival Lights also spans settler arrival in the 1800s, the creation of the reservation system, and decades of cultural suppression, connecting everything from lumber barons' mansions to Nazi V-2 rockets to smuggler's tunnels in creating a narrative history of Minnesota. "Fluid in time and place, Carnival Lights flows between one past and another, offering a heartbreaking portrait of multigenerational trauma in the lives of one Ojibwe family, this tapestry of stories is beautifully woven and gut-wrenching in its effect. Read it, and it may change you forever." -- William Kent Krueger, New York Times Bestselling Author "Chris Stark's newest novel explores the evolution of violence experienced by Native women. Simultaneously graphic and gentle, Carnival Lights takes the reader on a daunting journey through generations of trauma, crafting characters that are both vulnerable and resilient." -- Sarah Deer, (Mvskoke), Distinguished Professor, University of Kansas, MacArthur Genius Award Recipient "Carnival Lights is a heartbreaking wonder of gorgeous prose and urgent story. It propels the reader at a breathless pace as history crashes down on the readers as much as it does on the book's vivid characters. The author's brilliant heart restores their dignity and via the realm of imagination, brings them home." -- Mona Susan Power, author of The Grass Dancer, a PEN/Hemingway Winner From the Reflections of America Series at Modern History Press

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Chapter 1
Acknowledgements Twenty years ago, the seed for this book was planted during a ten-page classroom exercise at the University of Central Florida. The professor, whose name I’ve forgotten, said, “You owe it to Sher and Kris to finish their story.” Since then, it has gone through hundreds of iterations until it settled into the story on these pages. I’m grateful to the professor at UCF, as his words stirred a sense of responsibility in me to this story and its characters. Many have supported and guided me along the way as I have worked for healing, identity, and belonging. Many years ago, Sam Emory brought me back to White Earth Reservation during a snowstorm to get my Indian name, which was the beginning of my return to Anishinaabeg. Earl Hoaglund gave me my Anishinaabe name along with a life-long connection through his kindness and patience. Both have passed on now, but I’ll always remember Sam’s crazy-fun sense of humor and Earl’s pancakes. I try not to miss them too much. I also especially want to acknowledge Skip and Babette Sandman, Tommy Saros and Becca Countryman, Sheila and Terry Lamb, Terry Forliti, Jessica Smith (both of them), Patti Larson, Deb Foster, Michelle Noor, Amy Arndt, Eileen Hudon, Brenda Hill, Mysti Babineau, Sherry Doughtery and Cyndi Carlson, April Posner, Romona and Lisa Abrazo, Melinda Masi, Catharine MacKinnon, Marie Caples, Maggie Kazel, Trina Porte, and Rene Simon. And, in loving memory and with gratitude for our friendship, Andrea Dworkin. I want to thank Dora Ammann, and all the elders, whose presence in our community is a quiet, steadfast source of spiritual support for so many, me included. AnishinaabegAnishinaabeMany thanks to Sherry Quan Lee, Deb Blake, and Amy Foster for their comments on the manuscript. I have much appreciation for Victor Volkmann, especially for his extreme patience with this book. Most especially, I want to thank my grandmothers, now in the spirit world, who passed down everything I needed to live a good life. And much love for niiyawen’enyag Daanis and Zhoni, as their young lives provide much hope that our ways will carry on. niiyawen’enyag DaanisZhoni, It would be incomplete to not express my gratitude and love for the land and water, especially the woods and lakes of Northern Minnesota where I spent much of my childhood, and where I go to now whenever I have the opportunity. My heart resides in that particular place on earth. There’s nowhere else I’d rather be. When I look at the stars in the night sky, I know I am exactly where I should be—among the same trees and water that saved me as a girl. Miigwetch, mishoomis. I am most grateful. Miigwetch, mishoomis.

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