BARASA THE VILLAGE PARROTUpdated at Oct 25, 2020, 07:55
Chant!
“Oyaya Flora soumbakho vindu.”
Whenever this arranged lyric, rhythmically chanted in its original tune as it is poured out of the village soloist’s mouth while the instrumentalists spiced it with their instruments, it sparked ears and penetrated deeper into the to souls of the people of mlembe nation announcing to them with goosebumps that the season has come. A season to separate men from boys, chaff from the grain. A season to slaughter bulls and celebrate without forgetting condemnation of evil caused by people.
In the Bukusu community specifically, the line is sung on a special occasion of circumcision in August according to the Bukusu traditional rite of passage calendar, one of the Luhya sub-tribes found in the western part of Kenya. For anyone who had committed an atrocity, a song would be composed and be sung during this special occasion for condemnation (khuminya). Praise songs for warriors made part of this celebration. This celebration was a community mirror that shaped responsible individuals to reflect accountable morals and discipline in society. This was a ceremony of its own indigenous traditions that the whites brainwashed us to believe were demonic.
Atanasi, the famous Bukusu warrior, brought the initiation practice to existence during the early days of Bantus immigration to Kenya. He gained experience and skills when he single-handedly skinned alive a giant killer snake and thereafter chopped its head off at Mount Masaba with a well-sharpened machete. The snake had terrorized villagers for a long span of time. Praises were made of his bravery and his name was written on the hearts of many. To show bravery and maturity, it was a necessity for every Bukusu son of the origin of Mwambu and Sela to undergo this initiation by cutting foreskin. Elders sat